Rape in Romanesque Art Essay -- Art

The entrancement of Ganymede capital in San Madeleine in Vzelay is a line drawing of the story of the rape or abduction of Ganymede. On its front face the capital features an eagle holding the young shepherd boy, Ganymede, in its mouth. Ganymede is being held upside nap helplessly with a look of terror on his face. On the left be two adults holding their heads and staring helplessly at the eagle pickings the boy. On the right side is a demon looking out at the viewer sticking its tongue out in happiness, as if to call up us. In the eagles talons is a dog, which looks like a hyena, baring its teeth. The capital depicts a story from Aeniad, where Jupiter becomes infatuated with the handsome shepherd boy, Ganymede, and according to his displacement of the story, sends an eagle down to abduct the boy. Ganymede then serves as Jupiters cupbearer, and this evokes jealousy from Juno, thus incurring her wrath which is supposedly one of the factors that begins the Trojan War. Virgils i nterpretation of the story is similar, just now includes the visual element of the barking dog and the guardians on the side, unable to aid the boy. Both story versions come from Antiquity.As I began analyzing this capital, it took me a patch to get a grasp on what was going on. There is a lot of content crammed into a small space on this capital. All the figures are oversized and in extremely close proximity to one another. I noticed the caricature-like portrayal of the figures. This seems to be the case in all the capitals at Vzelay. I was particularly interested in the facial expressions. The face of Ganymede is filled with dear and confusion as he hangs upside down. The dog looks frightening and angry, but it is unclear to me if he is sided with Jupiters eagle or if he is... ... Meaning on a Capital Representing the Fall of Man. Tradito 55 (2000) 105-123.Forsyth, Ilene H. The Ganymede Capital at Vzelay. Gesta 15, No. 1/2. Essays in Honor of SumnerMcKnight Crosby. (1976) 241- 246.Kolve, V. A. Ganymede/Son of Getron Medieval Monasticism and the Drama of Same-Sex Desire. Speculum 73, No. 4 (1998) 1014-1067.Mills, Robert. Gender, Sodomy, Friendship, and the Medieval Anchorhold. Journal of Medieval Religious Cultures 36, No. 1 (2010) 1-27.Quinn, Patricia A. Better Than the Sons of Kings Boys and Monks in the Early Middle Ages. (New York, 1988)Van Buren, Anne H. Review of Ganymed Studien zur Typologie, Ikonographie und Ikonologie by Gerda Kempter. Speculum 57, No. 3 (1982) 624-625.Wolfthal, Diane. A Hue and a Cry Medieval Rape Imagery and Its Transformation. The Art Bulletin 75, No. 1 (1993) 39-64.